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My art is a dialogue between the seen and unseen, a bridge that connects the tangible with the ethereal. I am drawn to the raw, unfiltered truths of existence—the silent stories etched into the creases of faces, the weight of unspoken words lingering in the air, and the quiet resilience of the human spirit. My work delves into these realms, weaving metaphors of light and shadow, fragility and strength, to uncover the beauty hidden in imperfection. Through my art, I aim to transcend the ordinary, to invite the viewer into a realm where the lines between the visible and the invisible blur. It is in this liminal space that I believe we find the essence of humanity—raw, complex, and achingly beautiful. I am drawn to working on large panels, as they become the expansive space I need to channel the emotional intensity that surges within me. A bigger canvas allows me to manifest the larger-than-life force that echoes my heart’s rhythms.
I gravitate toward mediums that embody a delicate balance of vulnerability and strength, fragility and density. Charcoal, with its raw, organic quality, is one of my favourites—it feels alive in my hands, carrying the weight of shadows and the softness of light. Dry pastels are equally compelling; the friction between the pastel and the surface feels like the friction of the soul against the world, a tender struggle that speaks to the human condition.
Recently, I ventured into the realm of gold leaf, blending its ethereal brilliance with the earthy tones of charcoal. The juxtaposition of these materials—one shimmering, the other grounding—created a striking harmony, a visual metaphor for the interplay of the sacred and the raw within us. This exploration has opened new dimensions in my work, deepening my connection to the narratives I seek to express.
Rakia Raza is a distinguished visual artist with over 12 years of professional experience in visual and creative arts. By profession, she is a psychologist and Fiction writer as well. Her Art work seamlessly blends technical excellence with profound emotional depth, earning her recognition both nationally and internationally.
Rakia has participated in numerous group exhibitions over the years, showcasing her exceptional talent on prestigious platforms. Her work has been featured in exhibitions across Pakistan and abroad, including shows in 2011, 2012, 2018, 2019, 2020, 2021, and 2022. One of her most notable exhibitions, The Seekers(2022), a group show of her work highlighted her mastery in portraiture and her ability to convey the essence of human emotion. 她的艺术贡献得到了认可,例如在 2021 年和 2022 年均入围安娜·莫尔卡奖,这证明了她的奉献精神和技巧。 拉克亚的作品也得到了拉合尔 Copera 艺术画廊的认可,她的两幅画作被永久收藏,巩固了她在该地区著名艺术家的地位。Her artistic contributions have been acknowledged through accolades such as being shortlisted for the Anna Molka Award in both 2021 and 2022, a testament to her dedication and skill. Rakia’s work has also been recognized by Copera Art Gallery, Lahore, where two of her paintings are part of the permanent collection, solidifying her status as a celebrated artist in the region. 除了个人创作外,拉克亚还作为视觉艺术家和插画家做出了重大贡献,与各种组织和机构合作,将创意愿景变为现实。她热衷于分享知识,这促使她为学生和年轻艺术家开设了五门艺术课程,提供视觉艺术的初级和高级课程,激励和指导下一代艺术家。In addition to her personal creations, Rakia has made significant contributions as a visual artist and illustrator, collaborating with various organizations and institutions to bring creative visions to life. Her passion for sharing knowledge has led her to conduct five batches of art classes for students & young artist, offering both beginner and advanced courses in visual arts, inspiring and mentoring the next generation of artists.拉克亚是艺术治疗的坚定倡导者,自 2012 年以来一直从事艺术和戏剧治疗师的工作。通过将艺术与治疗和幸福相结合,她进一步丰富了她的艺术之旅,并创立并成功领导了 WAY2C 创意治疗和培训中心组织。A committed advocate for the therapeutic potential of art, Rakia has been practicing as an Art & Drama Therapist since 2012. Ffurther enriching her artistic journey by intertwining art with healing and well-being, she founded and successfully leading organization WAY2C Creative Therapies & Training Hub.
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Ananda Zhao
Music:‘til the end - Mitis
If you can, please feel every moment, listen to the outside world, instead of following the crowd. It It will help to love yourself, if you can accept honest self-examination. Keep the original intention in the face of changing things, and maintain patience in the impetuous atmosphere. We can take root in the turbulent tides, and find the inner sense of order in the chaos. Have a lawful heart and a peaceful breath.
Music:Tango to Evora - Loreena McKennitt
The blue sea of time is deep, how many vicissitudes. The rise and fall of civilizations, prosperity or decline, success or failure, let future generations comment. How many past events are rolled up by the waves, the youth that cannot be repeated, the hometown that cannot be returned, the old friends who cannot be seen again... Although I yearn for eternity, I know that I can't get there.
All I can grasp is this life, this moment, and this heart.
Music:Record player - Daisy the great / AJR
Because of some regrets and missed experiences, a percon can be constantly sinking into the quagmire of memories, constantly regurgitating the past, repeatedly wishing that everything was different. This kind of regret thoughts are addictive. Regret also makes people unable to see the reality clearly. It never happened and you can not help let the fantasy fill the whole space. The imagination and reality overlap, just like a daydream. But Life is a cyclical but full of random and unknown journey, if you are indulging in memories, it is because there is still a knot in the heart that has not been untied. Only by facing it directly can we solve the problem and save ourselves from drowning. Let go of the memories, move on, and fall in love with your future self.
Ananda Zhao
Ananda Zhao
This is a three parts of music.
The first paragraph wants to express a person who is psychologically melancholic and has a somewhat Lofi style in music expression. Time passes and the crowd becomes noisy, but the protagonist is immersed in his own emotional world. It may not necessarily be painful, but it may also be a bit enjoyable, or gradually getting used to interacting with one's own emotions. But unfortunately, it seems that he accidentally walked into the depths of darkness.
The second paragraph of the music wants to express that darkness is slowly devouring the threat. He seemed unable to make a sound, unable to open his eyes, as if he had entered a strange space. The music expression incorporates a bit of Dubstep style. With the sound of a cello and sound effects, it was like a thread of light passing through the darkness, taking the protagonist out of it. The clock rang again, indicating that he had returned to real life.
The third piece of music turns into a slightly brighter string in major, and the protagonist may still be feeling melancholic, but he has already accepted the light and chosen it.
During the creative process, I also thought of the state in which elderly people face illness or death in their twilight years.
Named "Twilight" because it is not completely bright or completely black. The flow of energy in the middle is more dramatic.
Ananda Zhao
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